Commercial use of Medieval Paintings

Just for once, a more "hertitagey" issue. Greece's culture ministry said on Tuesday that it will do more to facilitate access to the country's ancient Greek ruins by opening up some of the debt-stricken country's most-cherished archaeological sites to advertising firms and other ventures. Not insignificant also is the fact that the money generated would fund their upkeep and monitoring. The temporary leasing of ancient Greek sites for such purposes would be subject to strict conditions. The first site to be opened would be the iconic Acropolis. "Commercial use of Greece's archaeological sites has until now been the responsibility of the Central Council of Archaeology, which has been very choosy about who gains access. In recent decades, only a select few people, including Greek-Canadian filmmaker Nia Vardalos and the American director Francis Ford Coppola, have been able to use the Acropolis, while most filming and advertising requests have been refused".

Using a site for filming sounds relatively straightforward until the logistics of the operation are considered. Anyone who has seen such a film crew, even for a simple interview 'on site' will know that its not often just a presenter, actor or model and a bloke with a camera. There are a huge crew (with vehicles and caravans), generators, cables, heavy and hot lights, fencing needs erecting for crowd control and so on. People tramping around carrying heavy objects and so on. I once worked with a conservator of wall paintings on a text of the conditions for a foreign film team to film inside a Polish monastery which had Medieval mural decoration. It was a long text and I chastised her gently over that, until she pulled out a portfolio and showed me photos of examples (most not from Poland) where such conditions had not been drawn up and some quite (and some barely believably) thoughtless behaviour by film technicians and others had done serious damage on other sites. One can see therefore the reasoning behind the caution.

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Popular Q&A

What were medieval doom paintings and what were they used for?

Paintings of the Last Judgement, to remind people of their mortality.
This was a positive message, in two ways: All the problems of this world will pass, for the greater part of our existence ( in the afterlife); AND no matter what problems you have, they are only temporary.
And of course, reminders of the ravages of Hades - of punishment in the afterlife, for sin - was a spur to good behaviour.

Why were doom paintings used in the Medieval church?

Doom paintings were used to warn people about living a sinful life by showing them heaven and hell.
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Why were medieval doom paintings used?

Doom paintings were used to warn people about living a sinful life by showing them heaven and hell.

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